There is another series in this show in addition to the Mary series, entitled Book of Hours. It's loosely inspired by illuminated manuscripts, of which Books of Hours are one category. These books were hand-lettered and decorated prayer books, medieval devotionals. I absolutely love their sheer lush decorative-ness: the intensely patterned text in the center, often "illuminated" with gold, and the contrasting margins of either empty space, or more decorative patterning.
I have mentioned before that I'm intrigued that we can't decipher the meanings in these texts anymore, at least not unless we can read medieval Latin. I wondered if I could produce in tapestry a kind of contemporary illuminated manuscript that uses the same compositional strategies and that combine text (or the suggestion of text) and pattern. In most cases these pieces developed out of collages I created and then translated into weaving
We've all heard the phrase red letter day. Did you know that it came from books of hours? They often contained a church calendar listing all the holy days and feast days, and those days were written in red.
Here are the Book of Hours tapestries, starting with the most recent.
Red Letter Night (c) Molly Elkind 2018 35" x 26" Photo courtesy Sam Elkind |
Red Letter Day (c) Molly Elkind 2016 35" x 26" Photo courtesy Sam Elkind |
Annunciation (c) Molly Elkind 2016 8" x 10" Photo courtesy Sam Elkind |
Huh? (c) Molly Elkind 2016 8" x 10" Photo courtesy Sam Elkind |
Red (T)his (c) Molly Elkind 2016 8" x 10" Photo courtesy Sam Elkind |
WTF (c) Molly Elkind 2016 8" x 10" Photo courtesy Sam Elkind |
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