Today was not one of those days. I got started at 8:00 and enjoyed the rare feeling of creative flow as I moved from one project to the next. This was the kind of day that reminds me why I stick with this fiber art stuff.
First, I wove today's segment of my new tapestry diary of the liturgical year. We are in the third day of the twelve days of Christmas, a season whose color is white. It's hard to make out, but I have added a line of metallic silver that appears here and there in the white sections. The unwoven sections of empty warps represent days I was away from the loom, either out of town or, embarrassingly, just forgot my new daily practice.
Then I turned to winding a warp for my next wearable project, a commissioned infinity wrap for a friend. She has chosen gorgeous navy and dusky blue alpaca-silk. Two closely related hues add a depth of color that a single solid color just doesn't have. I'm putting on a warp of almost 8 yards so I'll have enough for two additional wraps as well.
I love the feeling of this yarn flowing through my fingers!
Then I thought, Before I put this new warp on the loom I'd better be sure the cloth I'd just woven for another commissioned wrap was actually going to make an acceptable piece. So I sewed the three lengths of cloth I'd woven into infinity wraps. So simple--two seams and you're done.
|Sewing the label into the back seam is the final step|
|These three wraps were all woven on the same solid-colored sienna tencel warp|
Then I turned to my Turkish-inspired bed quilt. I have appliqued the blue trees with their red and orange teardrop shapes. Yesterday I made some real headway on designing and preparing the applique flowers for the bottom panel and was eager to see what more I could do today. I need some hand-applique to do in front of the TV in the evening! One more set of flowers will be added below the tree on the far left.
Oh, and since it was Monday, there was laundry to be done.
Chores intervene even on the best studio days.